Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Edward Jukes Greig
Arrival of Burke and Wills at Flinders River

ID: 82316

Edward Jukes Greig Arrival of Burke and Wills at Flinders River
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Edward Jukes Greig Arrival of Burke and Wills at Flinders River


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Edward Jukes Greig

b. 1839 Melbourne, Victoria Also known as E. J. G. Artist (Draughtsman), (Cartoonist / Illustrator), (Painter) Colonial Victorian painter, cartoonist and illustrator. Birth datec.1839Birth placeMelbourne, VictoriaDeath date4 October 1864Death placeSydney, New South Wales. Residence 1864 11 Crown Street, Millers Point, Sydney, New South Wales c.1860- c.1864 171 Victoria Parade, Melbourne, Victoria Active Period 1860- 1864   Related Paintings of Edward Jukes Greig :. | slottet mayerling | Summer Evening on the Skagen Beach The Artist and hs Wife (nn02) | Portrait of a Woman and Child | Dance of Italian Villagers | Wreath of Flowers |
Related Artists:
Maufra Maxime Emile Louis
Nantes 1861-Ponce-sur-Loir,Sarthe 1918
Niko Pirosmanashvili
(born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.
david farquharson,r.a.,a.r.s.a.,r.s.w
1840-1907






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